
From: DELIEUVIN Vincent <VD*************@louvre.fr>
Sent: June 25, 2026 4:47 AM
To: John Marshall <john@mylastleonardo.com>
Subject: RE:Salvator Mundi
Dear John Marshall,
Thank you very much for sending the replica.
Your copy is quite painterly, showing brushstrokes, and remains faithful to Leonardo's original.
Regards,
Vincent Delieuvin
Conservateur en chef
En charge de la peinture italienne du XVIe siècle
Département des Peintures
Musée du Louvre
75058 Paris Cedex 01
Martin Kemp Fri, Aug 13, 2020
Dear John, "Very many thanks. A number of "artists have tried. It looks like a very good effort! Leonardo’s later works are the hardest of all to emulate. John Marshall has done an unusually good job”.
Best wishes,
Martin
Martin Kemp
Emeritus Professor,
Oxford University
Honorary Chair of the DaVinci Network
Artist John Marshall
Yearc. 2020
Medium Oil on Walnut Wood
Subject Saviour of the World
Dimensions 45.7 cm × 65.7 cm (25.8 in × 19.2 in)
Location Stoney Creek, ON Canada


Salvator Mundi (Latin for 'Savior of the World') is a painting attributed in whole or part to the Italian High Renaissance artist Leonardo da Vinci, dated c. 1499–1510. Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, London, in 2011–2012.[2] Christie's, which sold the work in 2017, stated that most leading scholars consider it an original work by Leonardo, but this attribution has been disputed by some leading specialists who propose that he only contributed certain elements; others believe that the extensive restoration prevents a definitive attribution.
The painting was sold at auction for US$450.3 million on 15 November 2017 by Christie's in New York to Prince Badr bin Abdullah Al Saud, setting a new record for the most expensive painting ever sold at public auction. Although Prince Badr allegedly made the purchase on behalf of Abu Dhabi's Department of Culture and Tourism, shortly afterwards it was reported that he was a stand-in bidder for his close ally, the Saudi Arabian Crown Prince Mohammed bin Salman. The painting has not been publicly exhibited since the 2017 Christie's auction, and since late 2020 has been in storage in Saudi Arabia reportedly awaiting a museum and cultural center to be completed in Al-'Ula.
